VISUAL ARTIST // SCULPTOR // MOTHER // VISUAL ARTIST // SCULPTOR // VISUAL ARTIST // SCULPTOR // MOTHER // VISUAL ARTIST // SCULPTOR // VISUAL ARTIST // SCULPTOR // MOTHER // VISUAL ARTIST // SCULPTOR // MOTHER // VISUAL ARTIST // SCULPTOR // MOTHER //

CREATING FROM A POLITCIALLY CHARGED SPACE // CREATING FROM A POLITCIALLY CHARGED SPACE // CREATING FROM A POLITCIALLY CHARGED SPACE // CREATING FROM A POLITCIALLY CHARGED SPACE // CREATING FROM A POLITICALLY // CREATING FROM A POLITICALLY // CREATING FROM A POLITICALLY // CREATING FROM A POLITICALLY

NEGOTIATING EXISTENCE // CELEBRATING RESILIENCE // NEGOTIATING EXISTENCE // NEGOTIATING EXISTENCE // CELEBRATING RESILIENCE // NEGOTIATING EXISTENCE // NEGOTIATING EXISTENCE // CELEBRATING RESILIENCE // NEGOTIATING EXISTENCE //

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The Locus (2019)
Inkjet on Hahnemühle Photo Rag, Dibond Mount (126 x 87 cm)
The Wrath (2022)
Bronze Cast (70 x 55 x 40 cm)
Come, You Spirits of the Land and the Skies (2019)
Inkjet on Hahnemühle Photo Rag, Diasec Mount (140 x 300 cm)
Clothed In The Skin of Righteousness (2022)
Inkjet on Hahnemühle Photo Rag, Diasec Mount (129 x 170 cm)
A Red Flight Of Fancy (2022)
Installation View
A Red Flight of Fancy (2022)
Fibreglass, Resin, Fabric, Wood & Steel
Wielding the Collision of the Past, Present and Future (2017)
Digital Pigment Print on Textured Archival Rag with Non-fugitive Ink (
110.5 x 111 cm)